Nor does a child know any ungodly things—until that child

(34) The subject and burthen of this song are identical with those of the song which immediately follows, called in some copies THE CLOWN'S COURTSHIP, SUNG TO THE KING AT WINDSOR, and in others, I CANNOT COME EVERYDAY TO WOO. The Kentish ditty cannot be traced to so remote a date as the CLOWN'S COURTSHIP; but it probably belongs to the same period.

(35) The common modern copies read 'St. Leger's Round.'

(36) The common stall copies read 'Pan,' which not only furnishes a more accurate rhyme to 'Nan,' but is, probably, the true reading. About the time when this song was written, there appears to have been some country minstrel or fiddler, who was well known by the sobriquet of 'Pan.' Frequent allusions to such a personage may be found in popular ditties of the period, and it is evidently that individual, and not the heathen deity, who is referred to in the song of ARTHUR O'BRADLEY:-

'Not Pan, the god of the swains, Could e'er produce such strains.' - See ANTE, p. 142.

(37) A correspondent of NOTES AND QUERIES says that, although there is some resemblance between Flora and Furry, the latter word is derived from an old Cornish term, and signifies jubilee or fair.

(38) There is another version of these concluding lines:-

'Down the red lane there lives an old fox, There does he sit a-mumping his chops; Catch him, boys, catch him, catch if you can; 'Tis twenty to one if you catch him or Nan.'

(39) A cant term for a fiddle. In its literal sense, it means trunk, or box-belly.